DADA MANIFESTO (1916, HUGO BALL)
According to the Internet Encyclopedia of Philosophy: A
Peer-Review Academic Resource , ‘Dada’ was a literary and artistic movement
born in Europe at a time when the horror of the World War 1 was being played
out in what amounted to citizens’ front yards. Due to the war, a number of German
and French artists, writers and intellectuals found themselves congregating in
the refuge that Zurich offered. Hence, as is mentioned in the Dada Manifesto by
Hugo Ball, “tomorrow everyone in Zurich will be talking about it.” The “it” is referring
to dada. Hugo continues to describe Dada as an “international word, very easy
to understand. Quite terribly simple…honored
poets, who are always writing with words but never the word itself, who are
always writing around the actual point” (second paragraph of the
Manifesto). The later part of the quotation in bold triggers my interest and I will
like to use the body of this essay to discuss my view.
First of all I am agreeing with this quote, “…honored poets, who are always writing with
words but never the word itself, who are always writing around the actual point.”
This goes hand in hand with what the Internet Encyclopedia of Philosophy
says about Dada: “its artists not artists and its art not art.” I find this
very interesting to attract some lamentation. Art and artists encompass more
than just painting; it covers music, dance, writing, poetry and other forms. How is Dada revealed in poetry?
It is as simple as “baby talk” and the renowned Dada poet,
Tristan Tzara, describes Dada. Some say Dada means “hobby horse” in French. It German
it means “good bye”, “get off my back”: as Hugo puts it in his manifesto. All these
meanings and interpretations of Dada boil down to mean null or void or baseless
in my vocabulary. Similarly, the language and choice of words pots used in that
time between World War 1 and World War 2, made their writings meaningless as
they just never express that reality in simple contextual sense.
One of the most famous Dada artist mentioned already was
Tristan Tzara. He was Romanian and French avant-garde poet, essayist and
performance artist. His work became a main feature of the early Dadaism and
represented its Nihilistic side. Similarly, poetry should not just express; it
should reveal the reality, for example: poems composed during the World War
period show the reality of the damage and the scars that were left on the
German economy. Poets focused more on the literary techniques to dress up their
writing and the true face of the experience is not seen. It’s just expressed. The
truth is veiled with words that just play around the poets’ stance, and verse
after verse still doesn’t show the exact picture. For this reason, Dada is so sarcastic
about all this literature that shields the truth with fancy words. So without a
doubt, the devastation of the World wars gave birth to Nihilism with Dada as an
offspring.
Again, I totally favor Hugo’s critics about “writing with
words, but never the word itself.” The articles give to read state that “Dadaist
who spoke of the untruth of style argued that stylized artistic products only
mask the suffering of the oppressed. If life is ugly then art should be ugly.” Many
of us need to break away from our fantasies and see the REAL whether it is ugly
or beautiful. Poets and other artists shouldn’t just paint a picture with nice
words or pretty colors and lines.
If art (poems) continue to conceal the reality, then society
cannot elevate as at face value, everything is perfect. No changes are
necessary and no actions need to be taken. If Nihilism didn’t surface and writers
like Nietzsche hadn’t brought light to the shocking and grotesque pictures of
the corruption the German society was facing after the two wars, then World War
1 and World War 2 wouldn’t have made headlines in our history and nothing would
have been left to tell the numerations there after.
Modern day’s poets need to compose verses that describe the
real truth of life in simple words that speak for themselves. What is ugly should
be depicted as ugly and what is beautiful should be portrayed as beautiful.
REFRENCES
1.
Expressionism, Dadaism, “New Objectivity” – Saturday,
September 6, 2014 Class Readings
2.
Internet Encyclopedia of Philosophy: A Peer-Reviewed
Resource
Wiki Encyclopedia
3.
Dada Manifestor by Hugo Ball, 1916 - Wikisource
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